2025
13 - 14 December, 2025
Shenzhen, China
2025年12月13-14日
中国・深圳
The purpose of the International Artificial Intelligence and Creativity Conference
- The conference aims to directly showcase cutting-edge artificial intelligence and creative technologies to industry professionals, highlighting the transformative tools and methods that are shaping the future.
- This event is a dynamic forum where creative industry professionals gather to share and exchange a wealth of information, creative works, and innovative ideas. It fosters the development of a collaborative ecosystem that promotes positive interactions.
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The importance of Asia's creative industries is increasing daily:
The significance and scale of Asia's creative industries have experienced remarkable growth both regionally and globally. Countries and regions such as China, Japan, South Korea, India, and Singapore have become major creative hubs, contributing to industries like design, animation, gaming, film, and advertising. The IAICC acknowledges the importance of the creative industries in Asia and offers tailored content to address the specific needs and challenges faced by professionals in the region. -
The growing demand for AI integration in Asia's creative industries:
As AI technology becomes more widespread, Asia's creative industries are increasingly recognizing the potential of AI to improve processes and outcomes. The IAICC provides a platform to explore and learn about various AI tools and technologies applicable in the Asian context. By showcasing region-specific case studies and success stories, participants gain deeper insights into how to effectively integrate AI into their creative projects. -
Addressing the challenges and opportunities of Asia’s creative industries:
Asia’s creative industries face distinct challenges and opportunities. These may include linguistic diversity, market dynamics, unique aesthetic preferences, and varying levels of technological infrastructure across countries and regions. The IAICC conference takes these regional factors into account and provides insights, strategies, and practical knowledge to help participants tackle specific challenges and capitalize on opportunities for AI integration in their respective Asian markets.
Why choose the Greater Bay Area of China as the venue for IAICC?
Professionalism
Through demonstrations and hands-on activities, IAICC attendees will have the opportunity to explore the capabilities of various tools, such as ChatGPT for creative content generation, Midjourney and Stable Diffusion for AI-assisted design, Blender for 3D modeling and animation, Krita and Inkscape for digital art, Natron for visual effects, Audacity for audio editing, GIMP for image editing, Kdenlive and Shotcut for video editing, Godot for game development, and deep learning and machine learning tools for AI research and implementation.
Accuracy
IAICC provides a platform for researchers and organizations to showcase their latest discoveries, methods, and AI-driven solutions across various creative fields, including art, design, music, literature, games, and film. It enables attendees to network, connect, and collaborate with like-minded professionals, fostering new partnerships and opportunities for future research, projects, and initiatives.
Internationalization
IAICC brings together experts, researchers, practitioners, and enthusiasts from around the world to share their insights, experiences, and progress in the fields of AI and creativity. It promotes interdisciplinary collaboration and encourages participants to explore innovative ideas and methods. It examines the impact of AI on creative processes, industries, and global society. It discusses the challenges and opportunities of integrating AI with human creativity, as well as the potential of AI and enhanced creativity.
主题演讲嘉宾
（排名不分先后）
Francesco Siddi
Blender 首席运营官、
Blender Studio 总经理兼制作人
Dr. Scott Ross
数字王国联合创始人、工业光魔公司前总经理、美国电影艺术与科学学院会员
梁定邦博士
曾任中国证券监督管理委员会首席顾问、前香港中文大学校董
梁定雄
深圳大学 IDMT 创始人
Wayne Kennedy
暴雪娱乐高级制作总监
Olivier Amrein
Dreamscape Immersive 艺术主管、3D/VR 艺术家
马佳
北京相心文化艺术有限公司艺术总监、
點新闻AIGC实验室 CG 总监
肖勇
深圳市环球数码影视文化有限公司总经理、制片人
Léo Silly-Pelissier
Animation director on Flow
Yuichiro Katsumoto
Artist, Professor at Tokyo Denki University
Pablo Ruiz-Múzquiz
CEO of Kaleidos, makers of Penpot
Nosipho Maketo-van den Bragt
CEO and Co-Founder, Chocolate Tribe
Nathan Vegdahl
Blender Developer, Freelance 3D Artist
只剩一瓶辣椒酱（崔潇）
3D艺术家、插件设计师、
ACGGit创始人
主办单位
协办单位
合作媒体
支持机构
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加入我们的邮件列表，获取关于即将举行的活动资讯和新内容的通知。
Francesco Siddi
Blender 首席运营官、
Blender Studio 总经理兼制作人
目前 Blender 的首席运营官、Blender Studio 的总经理兼制作人。他拥有工业设计领域的专业背景，并在 3D 艺术和开源电影项目中做出了重要贡献。
Francesco Siddi 是 3D 动画和开源电影制作领域的重要人物，最著名的是他在开源 3D 创作软件 Blender 中的工作。多年来，他参与了众多 Blender 项目，在技术开发和创意制作方面都有贡献。凭借数字艺术、设计和计算机图形的背景，Siddi 早期接触 Blender，为他的职业生涯奠定了基础，促使他深入参与开源社区，并推动合作项目的发展。他的职业生涯通过与 Blender 创意部门 Blender Institute 的广泛合作而腾飞，他曾参与多个动画项目，如 2012 年的科幻短片《Tears of Steel》，2013 年至 2016 年的动画系列《Caminandes》，充分展示了 Blender 的动画能力，以及 2015 年展示 Blender 在复杂故事叙述和视觉效果方面潜力的雄心勃勃的项目《Cosmos Laundromat》。
在创业方面，Siddi 与 Blender 创始人 Ton Roosendaal 共同创立了 Blender Cloud，该平台为 Blender 用户提供资源和教程。此外，Siddi 还创办了专注于沉浸式和互动媒体制作的公司 —— Cineca。他在动画的创意和技术方面，特别是在开源运动中的贡献，巩固了他在该领域的关键地位。
Dr. Scott Ross
数字王国联合创始人、工业光魔公司前总经理、美国电影艺术与科学学院会员
Dr. Scott Ross 作为数字王国（Digital Domain）的联合创始人在电影行业的视觉效果方面实现了革命性的突破，并拥有一个令人印象深刻的开创性作品集。在 Dr. Ross 的领导下，该公司获得多项奥斯卡提名，并因其在《泰坦尼克号》开创性的视觉效果而首次获得奥斯卡奖。过去十多年，Dr. Ross 一直管理及监督公司制作电影《泰坦尼克号》《第五元素》《阿波罗13号》《搏击俱乐部》《真实的谎言》《夜访吸血鬼》《逃狱三王》《X 战警》《指环王》《后天》和《我，机器人》等。他在创意产业中整合数字技术的经验和见解非常宝贵，特别是关于人工智能如何进一步革新这些领域。
梁定邦博士
曾任中国证券监督管理委员会首席顾问、前香港中文大学校董
梁定邦博士担任多项职务，在公共服务、法律和商业以及学术等多个领域都赢得了非凡的认可和尊重。梁博士是香港律师会的资深成员。他曾担任香港证券交易所董事会及其上市委员会的成员。作为中国领先的动画工作室环球数码创意的董事长和联合创始人，梁博士积极参与中国的创意产业。
梁定雄
深圳大学 IDMT 创始人
梁定雄被广泛认可为「中国CG产业之父」。他在中国电脑图形领域的开拓工作中发挥了重要作用。梁先生创立了环球数码媒体科技有限公司（IDMT）、环球数码创意控股有限公司（GDC）和环球数码创意科技有限公司（GDC-Technology），对中国数码电影的发展做出了重大贡献。他也在新加坡成立了（IDGT）游戏培训研究院，致力于游戏开发和培训，并创立了国际人工智慧及创意大会的数谱环球有限公司（CGGE）。此外，他创建了数谱研究院和数谱科技，专注于弥合全球数字鸿沟，推动数字转型。
Wayne Kennedy
暴雪娱乐高级制作总监
Wayne Kennedy 目前在美国加利福尼亚州洛杉矶担任暴雪娱乐（Blizzard Entertainment）的高級制作总监。他曾担任 Empyreal Entertainment 的首席执行官以及数字王国（Digital Domain）的总监。
Wayne Kennedy 在将人工智能引入好莱坞制作方面的开创性工作，使他处于融合创意和技术领域的前沿。Kennedy 在暴雪娱乐和 数字王国的工作经验，使他对人工智能在娱乐领域的未来有着独特的见解。
Olivier Amrein
Dreamscape Immersive 艺术主管、3D/VR 艺术家
居住在瑞士的全能型 3D 艺术家，现就职于 Dreamscape Immersive 公司。他曾在以下国家工作并进行演讲：瑞士、中国、荷兰、委内瑞拉、巴西、俄罗斯。
他使用英语和法语进行演讲和研讨会，并拥有流程设计和技术总监 (TD) 经验。
马佳
北京相心文化艺术有限公司艺术总监、
點新闻AIGC实验室 CG 总监
马佳，北京相心文化艺术有限公司艺术总监、點新闻 AIGC 实验室 CG 总监。
2008年开始电影美术和视效概念工作，至今已有十几年相关影视及游戏相关视觉CG的工作经验。主要负责视效和前期概念设计、分镜、on-set设计方案制定、视效总监、CG导演等。
2014-2015年曾任火星时代教育影视概念专业高级讲师。参与电影《戏台》《风流一代》《一路长安》《明日之镜》《长津湖水门桥》《决胜时刻》《奇门遁甲》《天气预爆》《空天猎》《万万没想到》等视觉概念和气氛图设计。
参与电视剧《三体》《天行健》《斗罗大陆2》《大宋宫词》《终极笔记》《千古玦尘》《北灵少年志之大主宰》《御赐小仵作》《遮天》《龙岭迷窟》等项目视效概念设计、视效概念方案、分镜设计、预演设计。
游戏项目：《傲视水浒》《新蜀山》等。
肖勇
深圳市环球数码影视文化有限公司总经理、制片人
数字动画视觉领域从业23年，参与国内外动画电影、艺术短片、互动娱乐影视项目50多个。在中国首部全三维数字动画电影《魔比斯环》负责流程管理，担任制片人的海洋主题动画电影《潜艇总动员》荣获中国电影华表奖“优秀动画片”奖、军事场景动画《士兵顺溜》荣获广东省“五个一工程”奖和文化部“中国文化艺术政府奖最佳动漫奖”、长江国风动画电影《江豚·风时舞》形成动画影视+数字文旅+衍生文创的产业链体系。参与丹麦动画电影《OTTO is a Rhino》、意大利动画电影《WinX Club》和《Roma》、迪士尼中国主题动画系列片《半斤八两》、乐高《幻影忍者》和《星球大战》制作管理。
现担任中国卡通艺术委员会常务委员、中国电影电视技术学会电影高新技术专业委员会委员、广东省动漫行业协会副秘书长、厦门国际动漫节“金海豚奖”作品大赛评委、深圳大学艺术学理论硕士点实践导师。科学与幻想成长基金-科幻工场专家顾问。荣获深圳市文化创意产业 “十佳经营者”。
Léo Silly-Pelissier
Animation director on Flow
Léo is a French animator who trained in traditional animation techniques before specialising in 3D at ATI (Art et Technologies de l'Image) at the University of Paris 8. He began his career on the project 'Les Contes de la Nuit', by Michel Ocelot, with whom he later collaborated on all his works.
In parallel, he worked on various animated series, shorts and features, developing his expertise and taking on new responsibilities. It was on the project 'Dilili à Paris' Michel Ocelot that he discovered Blender, a software that would become central to his practice. He then expanded his skills on other productions at Mikros and Autour de Minuit and other studios.
More recently, Léo was animation director on Flow by Gints Zilbalodis, a multi-award-winning animated feature film co-produced by Sacrebleu all made in Blender software, where he applied his artistic skills and technical expertise.
Yuichiro Katsumoto
Artist, Professor at Tokyo Denki University
Yuichiro Katsumoto is an artist and a professor at Tokyo Denki University. His work focuses on exploring the interplay between letters and images by experimenting with linear objects such as strings, ribbons, and springs.
Artistic expression has long been intertwined with the acts of writing and drawing—processes through which humanity has mastered the compression of the three-dimensional world into two-dimensional lines. Katsumoto seeks to reverse this compression, liberating these lines back into physical space to create kinetic typography and motion graphics.
Katsumoto earned his Ph.D. in 2010 from Keio University, specializing in video production, physical computing, and design thinking. After completing his doctoral studies, he worked as a researcher at the National University of Singapore before returning to Japan in 2018. Since 2019, he has been teaching design and creating art at Tokyo Denki University, where he also heads The Utsuroi Lab.
In 2024, Katsumoto served as the ACM SIGGRAPH Asia 2024 Art Papers Chair, supervising the review process and organizing eight sessions that shared cutting-edge research at the intersection of art, design, and technology. Through his initiative, the program saw a significant increase in submissions, fostering lively discussions and strengthening the sense of community.
Pablo Ruiz-Múzquiz
CEO of Kaleidos, makers of Penpot
Pablo is the CEO of Kaleidos, makers of Penpot. He has 20+ years of experience in software development and has been an entrepreneur since 2011. He has led major technological undertakings ranging from AI to Retail. His academic background in Physics and Computer Science is at the core of his multidisciplinary collaboration ethos. He raised $8M for the biggest Series A round for an open source product in Spain to date and helps kindred spirits that aim at positive impact of technology.
He frequently speaks about open source, design and code collaboration and lean and inclusive teams.
On a personal side, he loves archery, role-playing games, gardening and cooking.
Nosipho Maketo-van den Bragt
CEO and Co-Founder, Chocolate Tribe
Nosipho Maketo-van den Bragt is the CEO and co-founder of Chocolate Tribe, a leading African animation and VFX studio. A former attorney turned creative entrepreneur, she is passionate about storytelling, mentoring, and building opportunities for young talent. In 2021, she founded AVIJOZI, a platform connecting African creatives to global networks through roadshows, festivals, and industry support. Her leadership has earned her recognition in Nasdaq’s “I AM” campaign, EY’s Winning Women Class of 2024, and a position on the FMX Advisory Board for 2025.
Nathan Vegdahl
Blender Developer, Freelance 3D Artist
Isn't that a question we all ask ourselves? Well, my name's Nathan, and I like ice cream and riding bicycles.
Oh! I'm also a freelance 3d artist and software developer with 18 years of professional experience under my belt. On the art side I specialize in rigging and character animation, but I'm also a competent generalist. On the software side I primarily do graphics and tools/add-on development.
I've done work for a bunch of different companies and organizations including Nintendo, National Geographic, the Blender Institute, and Blender Animation Studio. So far everyone seems pretty happy with my work!
只剩一瓶辣椒酱（崔潇）
3D艺术家、插件设计师、
ACGGit创始人
只剩一瓶辣椒酱（崔潇），ACGGIT 和 AIGODLIKE 创始人，是一个拥有超过 340k 粉丝专注于 Blender 内容制作和插件设计的博主，同时也是一个坚定的开源信仰者。
在 Blender 知识科普方面，从 Blender2.79 开始，基于知识开源向公众提供了超过400集以上的教程《黑铁骑士Ⅰ》《黑铁骑士Ⅱ》以及其他 Blender 相关知识内容。
在 Blender 工具开发方面，发起了 Github 开源组织 AIGODLIKE，主导了 Simple deform helper（简易形变助手）、LJ-Studio（万物有灵Studio）、Place helper（放置助手）、Gesture helper（手势助手）、Camera helper（相机助手）、Light helper（灯光助手）、Popoti align helper（对齐助手）、Ppi tools（ppi助手）等 Blender 工具的设计。
在 AI 方面，主导开发了中国应用最广泛的 ComfyUI 翻译项目 AIGODLIKE-ComfyUI-Translation，同时最早将 Stable Diffsuion WebUI 和 ComfyUI 接入 Blender，使 Blender 成为了最早接入 AI 工作流的 DCC 软件。