2025
11 - 14 December, 2025
SHENZHEN, CHINA
2025年12月11-14日
中国・深圳
国际人工智能及创意大会的意义
- 大会旨在向业内人士直接展示前沿的人工智能和创意技术，突显正在塑造未来的变革性工具和方法。
- 本次活动是创意产业专业人士汇聚、分享、交流大量信息、创意作品和创新理念的动态论坛，是促进形成良性互动的协作生态系统。
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亚洲创意产业的重要性与日俱增：
亚洲的创意产业在区域和全球范围内的重要性、发展规模都经历了显著的增长。中国、日本、韩国、印度和新加坡等国家及地区已成为主要的创意中心，为设计、动画、游戏、电影、广告等行业作出贡献。IAICC大会承认创意产业在亚洲的重要性，并提供定制化内容以满足该地区专业人士面临的具体需求和挑战。 -
亚洲创意产业对 AI 整合的需求不断增长：
随着 AI 技术的普及，亚洲创意产业逐渐意识到 AI 在改进流程和成果方面的潜力。IAICC大会提供了一个探索和了解可在亚洲环境中应用的各种人工智能工具和技术的平台。通过展示特定于该地区的案例研究和成功案例，参与者可以深入了解如何将 AI 有效地整合到他们的创意项目中。 -
应对亚洲创意产业的挑战和机遇：
亚洲的创意产业面临着截然不同的挑战和机遇。这些可能包括语言多样性、市场动态、独特的审美偏好以及不同国家/地区不同水平的技术基础设施。IAICC大会将考虑这些区域因素，并提供见解、战略和实践知识，帮助参与者应对特定挑战并利用 AI 在各自亚洲市场整合的机会。
2024盛事回顧
为什么选择在中国大湾区举办IAICC?
专业性
IAICC通过演示和实践活动，参会者将有机会探索各种工具的功能，例如用于生成创意内容的 ChatGPT、用于人工智能辅助设计的 Midjourney 和 Stable Diffusion、用于 3D 建模和动画的 Blender、用于数字艺术的 Krita 和 Inkscape、用于视觉效果的 Natron、用于音频编辑的 Audacity、用于图像编辑的 GIMP、用于视频编辑的 Kdenlive 和 Shotcut、用于游戏开发的 Godot，用于 AI 研究和实施的深度学习、机器学习工具。
精准度
IAICC为研究人员和组织提供一个平台，展示他们在艺术、设计、音乐、文学、游戏和电影等各个创意领域的最新发现、方法和人工智能驱动的解决方案。使参会者能够与志同道合的专业人士建立网络、联系和合作，为未来的研究、项目和倡议培养新的合作伙伴关系和机会。
国际化
IAICC汇聚来自世界各地的专家、研究人员、从业者和爱好者，分享他们在人工智能和创造力领域的见解、经验和进展。促进跨学科合作，鼓励参会者探索创新思想和方法。研究人工智能对创意过程、行业和全球社会的影响。讨论将人工智能与人类创造力相结合的挑战和机遇，以及人工智能和增强创造性的潜力。
Keynote Speakers
(In no particular order)
Francesco Siddi
COO of Blender,
Producer & GM of Blender Studio
Dr. Anthony F. Neoh
Former Hong Kong SFC Chairman, Former Board Member of CUHK
Raymond D. Neoh
Founder of the Institute of Digital Media Technology (IDMT)
Xiao Yong
中国卡通艺术委员会常务委员、中国电影电视技术学会电影高新技术专业委员会委员、广东省动漫行业协会副秘书长
Organizers
Collaborators
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Francesco Siddi
COO of Blender,
Producer & GM of Blender Studio
Currently the Chief Operating Officer at Blender, General Manager and Producer at Blender Studio. He has a professional background in industrial design and has made important contributions in 3D art and open source film projects.
Francesco Siddi is a key figure in the fields of 3D animation and open source filmmaking, best known for his work in the open source 3D creation software Blender. Over the years, he has participated in numerous Blender projects, contributing both in technical development and creative production. With a background in digital art, design, and computer graphics, Siddi's early exposure to Blender laid the foundation for his career, prompting him to deeply participate in the open source community and promote the development of collaborative projects. His career took off through his extensive work with Blender Institute, the creative arm of Blender, where he worked on several animation projects such as the 2012 sci-fi short film Tears of Steel, the 2013-2016 animated series Caminandes, which fully demonstrated Blender's animation capabilities, and the ambitious 2015 project Cosmos Laundromat, which showcased Blender's potential for complex storytelling and visual effects.
On the entrepreneurial side, Siddi co-founded Blender Cloud with Blender founder Ton Roosendaal, a platform that provides resources and tutorials for Blender users. In addition, Siddi founded Cineca, a company focused on immersive and interactive media production. His contributions to the creative and technical aspects of animation, especially in the open source movement, have solidified his key position in the field.
Dr. Anthony F. Neoh
Former Hong Kong SFC Chairman, Former Board Member of CUHK
Dr. Neoh’s diverse roles, including his leadership at Global Digital Creation, showcase his significant influence in China’s creative industry. His insights into the legal, business, and academic aspects of creativity and animation make him a critical voice at the conference.
Raymond D. Neoh
Founder of the Institute of Digital Media Technology (IDMT)
Raymond Dennis Neoh is widely recognized as the "Father of the Chinese CG Industry." He has been instrumental in pioneering the computer graphics sector in China. Neoh founded the Institute of Digital Media Technology (IDMT), Global Digital Creation (GDC), and GDC Technology, which significantly contributed to the development of digital cinema in China. He also established the Institute of Digital Game Technology (IDGT) for game development and training in Singapore, and CG Global Entertainment (CGGE) for the International AI and Creativity Conference. Additionally, he founded the Krystal Institute and Krystal Technology, focusing on bridging the global digital divide and advancing digital transformation.
Xiao Yong
中国卡通艺术委员会常务委员、中国电影电视技术学会电影高新技术专业委员会委员、广东省动漫行业协会副秘书长
数字动画视觉领域从业23年，参与国内外动画电影、艺术短片、互动娱乐影视项目50多个。在中国首部全三维数字动画电影《魔比斯环》负责流程管理，担任制片人的海洋主题动画电影《潜艇总动员》荣获中国电影华表奖“优秀动画片”奖、军事场景动画《士兵顺溜》荣获广东省“五个一工程”奖和文化部“中国文化艺术政府奖最佳动漫奖”、长江国风动画电影《江豚·风时舞》形成动画影视+数字文旅+衍生文创的产业链体系。参与丹麦动画电影《OTTO is a Rhino》、意大利动画电影《WinX Club》和《Roma》、迪士尼中国主题动画系列片《半斤八两》、乐高《幻影忍者》和《星球大战》制作管理。
现担任中国卡通艺术委员会常务委员、中国电影电视技术学会电影高新技术专业委员会委员、广东省动漫行业协会副秘书长、厦门国际动漫节“金海豚奖”作品大赛评委、深圳大学艺术学理论硕士点实践导师。科学与幻想成长基金-科幻工场专家顾问。荣获深圳市文化创意产业 “十佳经营者”。